Art season marked its start this weekend with new exhibitions at every gallery – or so it seemed given the number of shows – in the Dallas Design District.
Here is a sampling of artists’ work I’d recommend, starting with Holly Johnson Gallery (1411 Dragon Street).
Holly opened the season with Electric Labyrinth: New Paintings by Tommy Fitzpatrick.
After years of being asked if I knew the artist with the same last name, I finally met him. He told me, with Gaelic pride, that our name was the only “Fitz” surname of Irish origin. All others are of Norman origin, such as Fitzgerald and Fitzsimmons.
We also talked about his work (see images below).
The body of work in Electric Labyrinth was inspired by a trip to Tokyo where Fitzpatrick saw Prada Store, a glamorous seven-story glass structure built in the heart of Aoyama (Tokyo’s luxury retail district). Designed by Herzog and de Meuron, the architects’ early blueprints, models and the actual building under construction provided a framework for many of the paintings in this show. According to the artist, “I wanted to continue my investigation into the language of architecture and the flatness of paint.”
A Grand Opening: Cris Worley opened her new space on 1415 Slocum Street. (Note: Walk to the end of the side alley to find the gallery entrance.)
You’ll enter a room full of the colorful, large paintings by Houston-based artist Howard Sherman in his show, List of Demands.
Howard was there, smiling and engaged with the crowd.
Back when he was a student, Howard drew cartoons for his college newspaper. He became a syndicated cartoonist, and then segued into the fine art world. He said he was thankful he found fine arts because he had grown tired of daily grind with cartooning deadlines.
His painting’s iconography, playful forms and marks are meant to be fun and humorous.
“If you don’t have a sense of humor about your work or life you are “up a creek without a paddle.” The soul of a cartoonist is still seen in each of his paintings and the smile that is usually on his face when I see him in a gallery crowd.
Paul Manes (b. 1948) grew up in Beaumont Texas. In 1983, he moved to New York City where he lives today and has a studio. His landscapes, like the one below, are heavily influenced by the swamp images from his Gulf Coast childhood. With In the Heat of the Night (see image below), I saw mastery in his brush strokes, heavy application of paint and use of high contrast color values. Manes’ work has been collected by major museums, including the Metropolitan Museum of Art and the Guggenheim, as well as Yoko Ono (very cool).
Inside Conduit Gallery (1626 Hi Line Drive), there are multiple well-curated shows, which is quite typical of Owner/ Director Nancy Whitenack and Assistant Director Danette Dufilho’s visual talents.
In the front gallery, you’ll be greeted by Mimi Kato‘s One Ordinary Day of an Ordinary Town (see image below). Her digital compositions are influenced by traditional Japanese art formats and her contemporary suburban childhood. In an interview she said, “I play the role of each character, sew the costumes, create props and direct the narratives.” Theatrical performances, especially Japanese comedy theater Kyogen and the contemporary Butoh style, influence the poses and gestures of her characters.
Kato is an alumna of the prestigious Artist in Residence Program at The MacDowell Colony.
And, in next gallery room are photographs by Texas Women’s University professor and artist, Susan Kae Grant.
Each piece in the exhibition titled, Theatrical Realms of the Whimsical & Tragic will make you stop, want to absorb all the details and ask, “What is happening?”
The work is a continuation of her shadow-based photographic series, Night Journey. For that show (which was also incredibly good), Grant used her interest in sleep research She actually had herself wired to study her brain activity in REM states. Dreams, fairy tales, myths and shadows are the subject matter for the sets and props she designs, stages and photographs.
Barry Whistler Gallery (2909 Canton Street) displays two rooms of Tom Orr’s large and smaller sculptures.
Tom Orr (b. 1950), Dallas native with a BFA in Sculpture from Rhodes Island School of Design, works frequently in collaboration with his wife Frances Bagley to create art. Many are accessible to the public, e.g. DART Station, One Arts Plaza Lobby, DFW Airport, Belo Corporation building entrance and a Dallas Opera commission. For this show titled, Delicious Poison, the work continues his experiments with crimping, cutting and layering materials which cause the eye to move from ghost-like cast shadows to hard surfaces to vibrating color lights to shimmering “moire” wavy surfaces.
In 2011, Tom received the prestigious Pollack-Krasner Grant.
Galleri Urbane Dallas (2277 Monitor St.). The young and talented artist is Jessica Drenk. Her show is Aggregated: Ordinary Objects, Unusual Sculpture (see her work below).
I first discovered Drenk when her work was exhibited at this year’s Dallas Art Fair where a friend purchased one of her “pencil “pieces – see image below – from the owners of Galleri Urbane. Drenk glues graphite pencils (the ordinary No. 2 yellow) together. With an electric sander, she shaves the shape which exposes streaks of grey on the outer skin and leaves the guts schoolyard yellow.
For those who did gallery walk on Saturday night, who would you recommend – your favorite artist, gallery or piece of art?
On a totally unrelated note, congratulations to Serena. She won the US Open in three sets – 2-6, 6-2, 5-7. It was a fantastic match all the way to the very last minute. Be back next Sunday with more on art.
Enjoy your week,