“Communities Connecting” Painting | Mayor Mike Rawlings

Title: “Communities Connecting” Acrylic on canvas | 49” x 45” Artist: Meg Fitzpatrick | 2013

Title: “Communities Connecting”
Acrylic on canvas | 49” x 45”
Artist: Meg Fitzpatrick | 2013

The month of April just ended and began with a bold proclamation from our Mayor, Mike Rawlings. He declared the week of April 7 – 14 as “Dallas Arts Week.” Mayor Rawlings moderated a panel discussion with leaders in the visual, film and performing arts about ways in which the city can attract and keep aspiring and established artists + creative thinkers. The dialogue fittingly took place in the City Performance Hall, located in the Dallas Arts District which is the largest contiguous arts district on the country, with a campus of 68 acres.

Also of cultural significance this month was a program called “Architecture 360.” Every day for 30 days, the Dallas Center for Architecture (DCFA) and the American Institute of Architects (AIA) organized or hosted 30 events about the built-environment.  April has been a wonderful celebration of great architecture and design in Dallas. Tonight closed “Architecture 360” and the month with a Grand Finale celebration on our new deck park, Klyde Warren Park, which has become our town green and meeting place.

“Communities Connecting,” a painting I recently finished, reflects the multiple intersections that interesting communities like Dallas foster over time to be culturally vibrant and attractive to creative thinkers and doers.

Detail of textures in painting, “Communities Connecting”

Detail of textures in painting, “Communities Connecting”

To the month of May and making more neural networks between people, ideas and place….Meg

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Place as a Source of Inspiration

Last year, I wrapped up our conversation with a blog about books and documentary films that inspire me. A big thanks to everyone who sent me their favorites – keep them coming. I look forward to reading your picks, and paying it forward in a future blog.

To ring in 2012, I’ll begin with places that spark my creativity. Over the holidays, I had a chance to visit the Clyfford Still Museum which recently opened in Denver, the city that was awarded this American artist’s estate. Clyfford Still’s life story and how Denver became the site for 95% of his artistic output are fascinating.

Artist: Clyfford Still | oil on canvas | 357 x 600 | “PH – 972” (1940) | photo: Meg Fitzpatrick

His final will stipulated that his body of work – all 2,400 pieces – had to be housed in one place and only in an America city. Still did not want his work lost in a museum’s vast, encyclopedic collection or owned on foreign soil. The 50-years of work, from his early figurative pieces to his later large-scale abstract paintings, landed in Denver after a distant relative (a Denver resident) suggested to Still’s widow that she consider Denver as the “American city.” She did, and the rest is history.

Still’s story is even more interesting. At a highpoint in his career, he got sick of the public scrutiny of his work and decided to leave New York – where he was one of the central figures along with the likes of Jackson Pollock, Mark Rothko, Clement Greenberg – and move to a quiet farm in Maryland. He intentionally placed himself on the periphery, where he was content to produce work for himself – 835 paintings are now in Denver’s museum. Most have never been seen by the public because once Still finished a painting, he rolled it onto a tube for storage in his barn. When the curators began taking inventory, they sometimes found 11 paintings on one tube!

In his own words, Still said that “behind all my paintings is the figure.” The current show is clearly curated for you see that every composition uses a vertical line format from his earlier figurative work (1930’s – 1940’s) to his later abstractions of standing bodies (1940’s until his death in 1980).

The architect Brad Cloepfil and his team at Allied Works designed this museum. Their body of work is another source of inspiration for me. I first became aware of their work when they won a Dallas competition to renovate and expand Booker T. Washington High School of the Performing and Visual Arts, Dallas’ Arts Magnet School for talented kids. I met Brad at a book signing, and he talked about the Denver commission, his excitement about the museum project and the Winter 2011 opening. Both the Still Museum and Booker T. buildings are thoughtfully designed to honor the occupants, their work and stories without distractions.

Clyfford Still Museum | Denver, Colorado | Architect: Allied Works/ Brad Cloepfil | Photo: Meg Fitzpatrick

I stumbled across another artist who is inspired by Still’s paintings and colors. Note her iPad and paint program.

Clyfford Still Museum | Denver, Colorado | Photo: Meg Fitzpatrick

Happy 2012: Wishing you a year of creativity (whatever your field) and visiting inspiring places.