Could I load my paint brush and make one continuous line across the surface? That’s one of the questions that led to this study. The answer: Rarely made it. But, as in most of my random experiments, it doesn’t matter because I like the accidents – the puddle on the edges and endpoints, especially those marks left by the runny/ high viscosity aluminum paint which are beautiful and glitter when light hits them. I was also thinking a lot about house paint and wondering why the cigarette-smoking, hard-drinking Abstract Expressionists flocked to this medium. My answer after spending hours with it? Freedom, with a capital “F.” I felt freed by the size of the paint cans (no petite palm-sized tubes), the immediate readiness (no mixing with a solvent or other medium), the guaranteed color (no need for color recipe charts) and Sherwin Williams prices (so much lower than artist grade materials).
Being open to ideas and experimenting with materials as a way of life? Why not.
PS: This experimental painting has a new home in the collection of a local landscape architect who attended last Wednesday’s Dallas Center for Architecture blow-out annual party, “Rockitecture,” at the always cool Filter House on White Rock Lake spillway.
PPS: I’m skipping next Sunday’s blog post. Talk to you in two weeks.